OMG: Cthulhu Mythos

I am fresh off of Gen Con 2019 where I got the chance to play a lot of Cthulhu; Call of Cthulhu and Cthulhu Tech. We even checked out Cthulhu Wars.  I figure it is a good time to talk about the Cthulhu Mythos as they appear in the Deities & Demigods.

Of course, there are a few points that need to be cleared up.  Or rather, should be clear already.

There is a lot of talk about how TSR didn't have the rights to the Cthulhu myths and that Chaosium threatened lawsuits.

Well, here are the words right from the author, Jim Ward.

Ok that out of the way. Let's talk about the mythos in D&D.

It is not an exaggeration to say that for many gamers their first exposure to the Cthulhu mythos were the entries in the Deities & Demigods, published in 1980.  The Call of Cthulhu RPG came out in 1981.  Zenopus Archives has a nice rundown of what was going in D&D and TSR at the time.

One of the main purposes of One Man's God is to fit the gods and monsters into the likes of AD&D style demons.  It would be easy to do this with the various Cthulhu monsters.

I absolutely do not plan to do this.

The biggest thing about the Cthulhu mythos and Lovecraft's purpose is diametrically opposed to this. "This" meaning to lump the Cthulhu Mythos into the likes of demons, devils, werewolves, and vampires. 

In fact, D&D would later change to accommodate the Mythos with the addition of the Far Realm.

The Far Realm was introduced in the pages of the 2nd Edtion adventure The Gates of Firestorm Peak and later expanded in 3rd Edition's Manual of the Planes.  It is a bit of a Lovecraftian pastiche, but it still works nicely. It was expanded even more under 4th Edition where it became part of the core cosmology and in-game history.

Outside of the Deities & Demigods and the books mentioned above, Cthulhu and Friends would go on to make more appearances in D&D.

If 3rd Edition is still your jam, then you have the Call of Cthulhu d20 rules, the Pathfinder Bestiary 4 for monster stats, and Sandy Petersen's Cthulhu Mythos - Pathfinder, plus the aforementioned Manual of the Planes.

For the OSR crowd, we have Realms of Crawling Chaos and Astonishing Swordsmen & Sorcerers of Hyperborea. 

This only a fraction of the 2300+ entries on DriveThruRPG and even more elsewhere.

Of Gods and Monsters
Back to the present discourse, what does the D&DG have for us in terms of Cthulhu mythos?

In D&D terms we have our Gods: Cthulhu, Azathoth, Cthuga, Hastur, Ithaqua, Nyarlathotep, Shub-Niggurath, and Yog-Sothoth. All of these gods are "Greater Gods" with the maximum 400 hp, save for Nyarlathotep who is a "Lesser God" at 200 hp and Ithaqua a "Demigod" at 250 hp.

The monsters include Byakhee, Cthuga's Flame Creature, Deep Ones, the Great Race, Mi-Go, Primordial Ones, and Shoggoths.

Most of these are not even what we could, or should, consider demonic.  Sure they are monstrous and even some are evil, but mostly they are another kind of life that is not really interested in humans.

With that, we will leave the Cthulhu myths and head on to other gods.

Review: Swords of Cthulhu

Nice mail call last week and I got my copy of Swords of Cthulhu from BRW Games / Joesph Bloch. As always BRW fulfills its Kickstarters in record speed. 

There is a lot to unpack here so lets get to it.

Swords of Cthulhu

For this review and deep dive, I am going to focus on the PDF and Print on Demand, I got from DriveThruRPGvia backing the Kickstarter.

The book is set up much like all the Adventures Dark and Deep books for "1st Edition."  This includes his Book of Lost Beasts and Book of Lost Lore.  One might wonder why this isn't the "The Book of Lost Cthulhu."

The book has the "1st Ed" Orange spine and layout and is a proper 128 pages. If the goal here is to feel like a book that would have been in your book bag in 1986 then I would say it was a success.  

Like the BRW's previous "Books of" this one is for 1st Edition AD&D but no mention of that game is found here. There are oblique references to it, but nothing say to the level we saw in Mayfair's AD&D products of the 80s and early 90s.  Though like those previous two books there is no OGL and no Open Gaming content.  So here are my thoughts on that. One, it doesn't affect the game playability of this book. Two, given that much of the Lovecraftian mythos are in the public domain this feels like a slight really, I mean using essentially IP for free but not giving something back. And three, there is so much of this already in the public domain AND released as Open under the OGL from other publishers it my all be a moot point.  Still I am sure some OSRIC, Advanced Labyrinth Lord, or Old School Essentials Advanced might want to do some Lovecraftian-style adventures for "1st Ed." and this would have helped.

But enough of that. Let's get into what is in the book.

If you are familiar with AD&D 1st Ed, any part of the mythos, and/or BRW's Adventures Dark and Deep books then you could likely predict with a high degree of certainty of what is in this book.  This is not a bad thing.

The spiritual godfather here is the Unearthed Arcana. The book gives us new races; the Deep One Hybrid and the Degenerate.  These feel like they are right out of Lovecraft books, though I would argue that both races have issues moving outside of their realms. Deep One Hybrids away from water and Dagon for example.

We get level limits for the new races with old classes and old races with new classes (not introduced just yet).

The new classes are the Cultist and the Scholar.  The cultist gets different abilities depending on which cult they are in.  Scholars are a "split class" starting out as Magic-users and then switching over to scholars. If you have the Book of Lost Lore then you can split class with the Savant. I would even argue that the Cleric would be a good choice if the cleric has a high Intelligence. 

The is a Skill system, the same found in the Book of Lost Lore, and this recaps some of that and expands it. While again overtly for 1st Edition it could work anywhere, also it can be ignored for folks that do not want to use skills for their games. 

Up next are spells. In the Cthulhu mythos books and tomes of occult lore and knowledge never lead to good things. These spells are part of that yes, but this is also an "AD&D" game and not "Call of Cthulhu" magic serves a different purpose here.  We get about 36 pages of spells. There is even an optional rule for human sacrifice that fits the tenor of the tales well.

There is a section on running a "Lovecraftian" game along with the tropes found in an AD&D game.  These have been covered elsewhere, but this version fits this tome well.  In particular how to mix demons in with the Lovecraftian mythos creatures. Something I have covered in my own One Man's God. 

You can't do the Lovecraftian mythos and not deal with sanity. Now. I am going to be honest. The overwhelming majority of RPGs get sanity and insanity completely wrong. I say this a game designer and as someone with degrees in psychology (BA, MS, Ph.D.) and who spent years working as a Qualified Mental Health Professional for the State of Illinois who specialized in treating schizophrenics.  How does this book do? This one introduces a new saving throw versus Insanity. Not a bad solution really. I will point out that "Insane" is largely a legal definition. "Madness" would be a better term of choice here. 

The definitions and descriptions used for the various modes of insanity (keeping with the book) are fine. We are not trying to emulate the DSM here. Though "Schizoid" is off. What is described there is more of a compulsion disorder. The Mulitple Personality one is always going to be problematic and I personally would drop the occurrence to more like 1 or 2%; even 3% is too high. I would re-do it as something akin to a "fractured" personality.  It is a usable system, but it lacks the integration of the SAN system of Call of Cthulhu. Though this is understandable.  Side note: I always look for "dementia praecox" in the list of insanities. When I see that and it is used properly I know the developer did their homework. It is not here and I had hoped it would be.

Up next we get to what is really one of the big reasons people want a book like this.  The monsters.

There are about 30 monsters here in AD&D 1st Edition format. If you use nothing else in this book then this is pretty fun stuff. The art is good and works well here.

This is followed naturally by the magic items. Plenty of books and tomes to terrify players and delight GMs. Yes, the Necronomicon is here.

Ah. Now we get to the stars of the show. The main course of this seven-course meal. The gods.  

All the usual suspects are here and the format is familiar to anyone that has read the Deities & Demigods.  IF playability is your largest concern then yes this book WILL replace the 144-page Deities & Demigods for you. No more having to lurk on eBay or hope for that rare score at Goodwill.  The stats are not exactly the same, nor should they be, but they are what I think many would expect them to be. 

We end with an Appendix of suggested reading (a must really) and lists of random tables.

The PDF is currently $9.95 and the hardcover is $24.95.  Perfectly within the price I would expect for this.

Now before I render my final judgment on this one a few more things.

I don't think it is unreasonable to ask "What does this book have that others do not?" For starters, it is developed specifically for AD&D 1st ed. I will point out that we do have plenty of other books, games, and resources that also do this for other OSR games and their relatives as well. Conversion is a matter of personal taste.

Briefly here are the main Lovecraftian/Cthulhu Mythos-related games/products I pulled from my shelves for this and how they compare. I am going to focus largely on the monsters and gods since that is the most common element. 

Table of Cthulhu

• DDG = Deities & Demigods
• SoC = Adventures Dark & Deep Swords of Cthulhu
• RoCC = Realms of Crawling Chaos (Labyrinth Lord)
• ASSH = Astonishing Swordsmen and Sorcerers of Hyperborea (Only including Cthulhu/Mythos creatures)
• CoC d20 = Call of Cthulhu d20 edition
• SP CM5 = Sandy Petersen's Cthulhu Mythos for 5th Edition
• WSH = What Shadows Hide 

In most cases, I am restricting myself to the "Core" Mythos creatures and the ones I really like.  Some names are different, but I will try to go with the common names. 

Of Gods	DDG	SoC	RoCC	ASSH	CoC d20	SP CM5	WSH
Cthulhu	Y	Y	Y	Y	Y	Y
Abhoth			Y			Y
Atlach-Nacha			Y			Y
Azathoth	Y	Y	Y	Y	Y	Y
Chaugnar Faugn					Y	Y
Cthuga	Y				Y	Y
Dagon		Y	Y		Y	Y
Ghatanothoa		Y
Hastur	Y	Y			Y	Y
Hydra		Y	Y		Y	Y
Ithaqua	Y			Y	Y	Y
Mordiggian					Y
Nodens					Y
Nyarlathotep	Y	Y	Y		Y	Y
Shub-Niggurath	Y	Y	Y		Y	Y
Shudde M'ell					Y
Tsathoggua		Y	Y		Y	Y
Yig		Y			Y	Y
Yog-Sothoth	Y	Y	Y		Y	Y
& Monsters
Ape, Devil			Y	Y
Bhole		Y				Y
Beings of Ib			Y			Y
Bokrug			Y			Y
Byakhee	Y				Y	Y	Y
Cave Beast			Y
Colour Out of Space			Y	Y		Y
Crawling Reptile			Y
Cthonian / Spawn of Cthulhu		Y			Y	Y	Y
Deep One	Y	Y	Y	Y	Y	Y	Y
Deep One Hybrid		Y		Y	Y	Y	Y
Dhole					Y	Y	Y
Dimensional Shambler					Y	Y	Y
Flame Creature / Fire Vampire	Y				Y	Y	Y
Flying Polyp		Y			Y	Y	Y
Ghast			Y	Y		Y
Ghoul			Y	Y	Y	Y
Great Race of Yith	Y	Y	Y	Y	Y	Y	Y
Gnop-Keh					Y	Y	Y
Gug		Y				Y	Y
Haunter in the Dark		Y	Y			Y	Y
Hound of Tindalos		Y	Y		Y	Y
Man of Leng		Y	Y	Y		Y
Mi-Go / Fugi from Yuggoth	Y	Y	Y	Y	Y	Y	Y
Moon Thing		Y	Y			Y	Y
Night Beast			Y
Night Gaunt		Y	Y	Y	Y
Primordial One / Elder Thing	Y	Y	Y	Y	Y	Y	Y
Rat Thing					Y
Serpent People			Y	Y	Y	Y
Shantak		Y	Y			Y	Y
Shoggoth	Y	Y	Y	Y	Y	Y	Y
Spider of Leng		Y			Y	Y	Y
Tcho-tcho					Y	Y
Young of Shub-Niggurath		Y	Y		Y	Y
Voormis			Y	Y
White Ape			Y	Y
Y'm-bhi		Y
Zoog		Y	Y			Y
Open Content	No	No	No	Yes	No	Yes	Yes

It looks like Swords of Cthulhu fares pretty well, to be honest. No one book has everything. Now comparing anything to Deities & Demigods is a touch unfair since space in the D&DG was limited.  Likewise comparing to Sandy Petersen's Cthulhu Mythos for 5th Edition (or Pathfinder) is also unfair for the opposite reason; it has so much and few people have written or said as much about the Cthulhu Mythos as much as Petersen has.

But comparing Swords of Cthulhu to say Realms of Crawling Chaos or Hyperborea is appropriate.

Realms of Crawling Chaos

These two books complement each other well. While there is a very, very slight difference in underlying system assumptions each one offers something the other lacks in terms of gods and monsters.

Hyperborea

Formerly Astonishing Swordsmen and Sorcerers of Hyperborea, this game is closer to AD&D than it is to Basic D&D and the tone of the world fits well. Where Hyperborea stands out in the inclusion of and the predominance of Howard and Ashton-Smith mythos as they relate to the Lovecraft ones.  So lots of the same monsters and gods, but more Clark Ashton Smith.  While Swords of Cthulhu gives advice on how to integrate the mythos into your "AD&D" world, Hyperborea gives us a world where they are integrated. What is the difference? In Hyperborea "sanity" is not really an issue since the mortals here already know of the gods and these creatures.  Still, Hyperborea is not everyone's cup of tea.

I would argue that the combination of the three would give you the best Mythos game. Or maybe it would give *me* the best mythos game since I tend to lean into more Clark Ashton Smith tales than H.P. Lovecraft's alone.

Conclusion

Swords of Cthulhu is a great addition to the already crowded field of Mythos-related RPG books. No one book seems to have everything, and maybe that is fine really. If your game is AD&D 1st Edition and you want something a bit more than just what you get from the Deities & Demigods then this is your book.

If you play a lot of OSR games including their spiritual ancestors and you like the mythos, then this is also a fine book, but check with my table here to be sure you are getting what you want.  

For things like "which is better 'Swords of Cthulhu' or 'Realms of Crawling Chaos'" it is a draw. Both do what they are supposed to do well.  Both are good resources. SoC looks a bit better on the shelf next to all my AD&D books, but likewise, RoCC looks good on my Basic-era OSR shelf.

I vacillate on whether we have too many mythos-related RPG titles to thinking one more book won't hurt.  Currently, the word "Cthulhu" produces over 5,450 titles on DriveThruRPG. So there is a market.

With so many choices you need to decide what fits well for your games. Swords of Cthulhu is a great choice but it is hardly the only choice. 

Plays Well With Others: Horror in Space (BlackStar)

It's Friday the 13th! Something of a holiday here at the Other Side.  

May is SciFi month and for the first two weeks here I have dedicated it all to Classic Traveller. I find myself at a bit of a crossroads.  Do I continue with the Classic Traveller OR do I go along to the progression from Classic to Mega Traveller and beyond?  Choices. Choices. 

In the mean time since today is the scariest day outside of October 31st (well, than and Walpurgis Night) let go to a discussion you all know I LOVE and that is horror in Space.  In particular, the Mythos flavored Cosmic Horror of Lovecraft AND the exploration of Space ala Star Trek.

Since I am going to look a few ways to do this I am going to put it under the banner of Plays Well With Others.

My "Star Trek meets Cthulhu" campaign is known as BlackStar and I have detailed the ideas I have had here.  

The game started out as a combination of various OSR-style games because that is what I was playing a lot at the time. But as time has gone on I have given it more thought and explored other RPG system options.  Every combination has its own features and its own problems.   Let's look at all the options I have been considering.

Basic Era/OSR

The first choice was the easy one really.  I went with the two main books for their maximum compatibility, Starships & Spacemen and Realms of Crawling Chaos.  Both are based for the most part on Labyrinth Lord.   This gives me a lot of advantages. For starters, and the obvious one, there is just so much stuff for this.  If I don't like the Cthulhu monsters from Realms, I can grab them from Deities & Demigods, Hyperborea, or so many more.  The Lovecraft/Cthulhu stuff is covered.  The "Weakest" link here is Starships & Spacemen.  Well, it's not weak, but it is not my favorite set of Trek-like RPG rules.

Given the rules, I could add in bits of Stars Without Number. That *might* fill out some of the rough spaces (for me) of S&S.  There is a lot, I mean really a LOT I can do with all of this.

It would also make running The Ghost Station of Inverness Five much easier. 

D20 Systems

I'll admit it. I like d20. I enjoyed d20 games. There are LOT of options if I want to go 3.x d20.

Pathfinder, Starfinder, d20 Call of Cthulhu, Sandy Petersen's Cthulhu Mythos.  All of these are great and at least 90% compatible. Again, I am sick with riches when it comes to Cthulhu/Lovecraftian materials here. Starfinder is good...but it is not Star Trek.  In fact my preferred Sci-Fi d20 game is the Wizards of the Coast Star Wars.  I know. I am strange.  

Certainly, the d20 Cthulhu books would be easily converted to OSR, but they already have analogs in the OSR world.   But having all of these is certainly helpful.

Since my weakest link seems to be Trek-like rules, maybe what I need is a good set of Trek rules.

Star Trek RPGs

Currently, my two favorite flavors of the Star Trek RPG are the classic FASA Trek and the newest Mōdiphiüs' Star Trek Adventures.  Both are great. Both are really fun. AND there is even a Mythos/Lovecraftian game using the same system, Achtung! Cthulhu 2d20.  Now this game is set in WWII, but that is not a problem. 

Here I have exactly the opposite issue.  There is a LOT of great Trek material and limited on Cthulhu/Lovecraft material.   I could add in material from Call of Cthulhu as needed. Also, I have the PDFs for Achtung! Cthulhu 2d20 but none of the physical books. The 2d20 system is also much newer for me and I don't know it as well as some of the others.

Traveller

I have been talking about Traveller all month long and it would remiss of me not to try something with that.  Thankfully things are well covered there.

So I have not even touched ANYTHING yet regarding the Cepheus Engine or new Traveller, but to jump ahead a bit there is a game setting for Traveller Chthonian Stars. It takes place in 2159 (a date I can use!) and there is a lot to it, but the basic gist is Humankind has begun to explore the Solar System and that is about it.  Then we introduce Cthulhu Mythos material to that!  Sounds a bit like BlackStar: The First Generation.  I'll get a proper review up later in the month, but there are a lot of great things in this setting.  Reading over it it really makes me want to try this using just Traveller.  They really make it work well.  Plus I could still use the Classic Traveller system, more or less.

This provides me with a solid sci-fi game with great mythos support too. The publisher has since updated this game to their more inhouse version called The Void. Not sure if it uses the same system as their Cthulhu Tech RPG or not. 

AGE System

I really love Green Ronin's AGE system. I also LOVE the Expanse.  So I grabbed their Expanse AGE-based RPG and am hoping to do a lot more with it.  So imagine my delight when they ran a Kickstarter for Cthulhu Awakens an AGE-based Mythos game.   The Solar System spanning of the Expanse is nowhere near the Galaxy spanning of Star Trek, but maybe I could run it as a "Prequel" game.  Get a ship out to Pluto to discover something protomolecule-like but instead make it mythos-related.  A prequel to my Whispers in the Outer Darkness.  A Star Trek DY-100 class pre-warp ship would fit right in with the ships of the Expanse.  I should point out that the Expanse takes place in the 2350s, the same time frame as my proposed BlackStar campaign in the Star Trek timeline. 2352 for the launch of the Protector and 2351 for the Expanse RPG.

Maybe this "First Mission" might explain why Star Fleet is building its experimental ships at Neptune Station and not Utopia Planitia.  There is something they discovered on Yuggoth/Pluto that makes the Warp-13 engines work. There is my protomolecule connection!

It is possible I could retweak my "At the Planets of Maddness" for this system/setting. Though in my heart I really wanted Shoggoths and Elder Things for that adventure.  Pluto and Yuggoth clearly imply the involvement of the Mi-Go.

--

I have all those choices listed above and that is also not counting games like Eldritch Skies that also combine space travel with Cthulhu/Mythos.

Chthonian Stars might have an answer for me.  What if this story is not being played out over a single campaign, but multiple lifetimes?

I could do something like this.  Note, this is only a half-baked idea at this point.  

Victorian Era:  Scientists work out the means of travelling the Aether to the stars. (Ghosts of Albion*, Eldritch Skies, Space: 1899. Using Ghosts to make the Protector connections a little clearer).

1930s: Scientist found dead with brain "Scoped" out. Investigate. (Call of Cthulhu)

2150s: Travel to Yuggoth discover an advanced civilization was once there.  Items from 1890s and 1930s are there. (Expanse, Chthonian Stars, Cthulhu Awakens)

2290s: Star Trek Mercy (this one is pure FASA Star Trek). Maybe this can be the one with the Klingon Skelleton ala The Creeping Flesh.

2350s: These are the Voyages of the Experimental Starship Protector. (OSR or Mōdiphiüs 2d20)

I could even do an epilogue in the far future of the Imperium.  

And some other stuff to include all my BlackStar adventures.

Maybe all of these are tied to the "Black Star" an artifact that makes space travel possible and is at the core of the Asymetric Warp-13 engine?  Some was found on Earth but there is a bunch of it on Pluto.

Too many ideas, too many systems.  Gotta narrow it all down at some point.  But one thing is for sure, the system used will depend on what sorts of adventures the characters will have. Mōdiphiüs 2d20 is best for adventures and exploring. OSR games are good for monster hunting. FASA Trek does a little of both.  AGE would be suit the New Adventures in Space theme well.

Mail Call: Call of Cthulhu Classic Edition

Drive-by today. I backed the Call of Cthulhu Kickstarter a while back and received my books in the mail a few days ago.

I am rather pleased with what I got to be honest.

The box is thick and sturdy.

There is enough material here for a life-time of play.

It also works nicely with my leather Anniversary edition from a couple years back.  

The dice that came with the boxed set even match my leather edition.

This works out well for me.  My son is all about Call of Cthulhu 7th Edition. He has a ton of material for that. I get all the pre-6th edition material.  Sure they are still largely compatible, but it makes for a nice cut.  Plus this is the edition I like to play Cthulhu by Gaslight with.

C is for Cthulhu by Gaslight

What do you get if you mix the horror of H.P. Lovecraft with the Gothic Horror tradition of the Victorian age? You get today's C post, Cthulhu by Gaslight.

I love Victorian era games.  They are my favorite actually.  Cthulhu by Gaslight has always been one of those rare hard to find treasures.  Whether or not you play it as a gothic game, a period horror game, a darkly inspired Sherlock Holmes meets Dracula game, or as a Call of Cthulhu game there is something here for all sorts of horror game fans.  It is the chocolate peanut butter cup of horror games; two great tastes that taste great together.

The book is divided up in terms of creating your Victorian age character, the Victorian world, Strange Britain, Gaslight Adventures and an a very nice Appendix on Victorian literature and some handouts.

The Victorian Age Character chapter is typical of a Call of Cthulhu game. Skills and professions are discussed. Some familiarity with Call of Cthulhu is helpful here since this book assumes you have a copy of Call of Cthulhu.  Te times assumed here are 1890 to 1900.  No discussion on Victorian Age characters is complete, or really can even begin without a discussion on social class, which we get during character occupations. This section is expanded over the 2nd Edition with inclusion of common terms from the age.

The Victorian World covers the world of the British Empire including it's place in the world, a time line of important dates and biographies of important people from the time.  My favorite part is the locations in and around London.  This chapter is well researched and great for any Victorian era RPG.

Strange Britain is a great overview of the occult scene in Britain in the 1890s.  Lodges, Fortean events, and a gazetteer of strange sites in the British isles. All of these are great for all sorts of games.  The Cthulhu mythos portion comes later and has some new ideas for old monsters, both mythos monsters and classic ones from the British Isles. The chapter continues with some fictional characters from the time.  Though one might want to figure out how some authors can appear with their fiction creations.  My favorite part though is the Martian Invasion.  H.G. Wells meets H. P. Lovecraft.  Some Victorian adventure campaigns are then discussed.

Gaslight Adventures helps Keepers (Game Masters) with some ready to run adventures; "Night of the Jackals" and "The Burnt Man".

The Appendix is full of great information about various sources of information on Victorian England, Sherlock Holmes, Jack the Ripper and Britain in general.  Though if I have a quibble it is that the sources are a bit dated, nothing for example from the last few years.

All in all the 3rd edition is a great update of this great game.

You can buy Cthulhu by Gaslight from Noble Knight Games or DriveThruRPG for older editions and DriveThruRPG for the new 3rd ed.

Seven Best Horror RPGs

I wanted to get this out in time for Halloween weekend gaming.

This is based on a conversation I was having on Facebook where we all discussing the "Seven Best".  I had a number of people ask me what I felt were the Seven Best Horror RPGs.

For this I immediately thought I am not going to include any horror RPG I have either written or worked on, but as it turns out that is a non-issue since my top seven are all ones done by others.  If this was a Top 10 then we might have other problems!

So without further ado, here they are my Seven Top Horror RPGs, arranged by year and one honorable mention.

Seven Horror RPGs
There is a chill in the air, gloomy clouds in the sky and leaves are all turning.  It is October and it's the time of the season for horror games.  I have been playing horror games for as long I have been playing RPGs.  Even my fantasy and sci-fi RPGs take on a slightly darker tinge to them.  So with Halloween just around the corner I wanted to talk about my Seven Favorite Horror RPGs.

Call of Cthulhu (1981)

Call of Cthulhu might not be the exact first horror RPG, but it was one of the first and the most influential. It was certainly the first horror game that most of us have played or knew about.  It perfectly blended the mythos stories of H.P. Lovecraft with RPG mechanics. Out of the gate the game did exactly what it was supposed to do, which is why the changes in the first six editions are relatively minor.
Call of Cthulhu was monster hunting, but it was so much more than that.  “Monster hunting” covers D&D pretty well but there the similarities end.  In CoC you had to investigate, you had to research and then maybe, just maybe, you found the clue you needed.  If there was magic you used it only in the direst of circumstances and even then your victory or your sanity was never assured.  For many in the 80s, CoC was their first introduction to the weird and alien worlds of the Cthulhu Mythos. Stories from 30-50 years prior were now in vogue again and influenced a generation of gamers and game designers.
The Basic Roleplay System from CoC also powered other games namely Stormbringer (1981), Superworld (1983) and RuneQuest (1978, 1980).

Chill (1984, 1992, 2015)

Chill has the distinction of being the second RPG I ever played (Dungeons & Dragons was first).  Chill is a horror game in the vein of the Saturday night creature feature monster movies, or monster hunting TV shows of the 80s to today.  Here our heroes are brave (mostly) but are expected to push back the dark for just another day.  Chill First Edition came out of Wisconsin and Chill Second Edition came from the Chicago suburbs, so it had a strong Midwest flavor to it that drew me in immediately.
Like Call of Cthulhu’s investigators the characters of Chill are normal humans caught up in an abnormal world.  There are monsters and they need to stop them.  Not always because they are the best at what they do, but because they are the only ones that can. Unlike CoC, the characters of Chill are expected to survive, more or less.  Call of Cthulhu has investigators, Chill has heroes. The definition is subtle in play, but you can feel it.
Chill introduced me to the idea of a meta-plot in RPGs. That there was more going on than just what your characters did. There was this worldwide organization, S.A.V.E., and they helped with the beasties and things that went bump in the night. As the books came out the S.A.V.E. plot expanded.   But we ignored this for the most part with 1st Ed.  In 2nd ed and later 3rd Edition, this became more of a central feature of the game.

Vampire: The Masquerade (1991)

Very, very few games have changed the business as much as Vampire.  Up to this point, you fought the monsters.  With Vampire you became the monster and the battle was with yourself.
Vampire asks the question, what would you do to stay alive? What price is your humanity to just exist for one more long night?  There is personal horror here along with existential horror.    There are also other horrors. Things worse than you, things less human than you are.
The mechanics of the Vampire game, later the Storyteller System, were nothing new; a dice pool with successes and botches, but combined with the story and the effects it became the system of choice for many in the 1990s.  In fact it captured the fear and horror of the 90s so well that it can be better compared to the fear and horror seen in Dracula at the turn of the prior century (1890s).  Though Vampire owes its largest debt to Anne Rice and embraced (pardon the pun) by those who grew up on “Interview with a Vampire” and “The Vampire Lestat”.
For better or for worse Vampire changed not only how we view games but how they were also marketed and sold.

Kult (1993)

Kult asks the question “What is reality?” and the answers are not ones that normal people want to hear.  Characters can come from all walks of life and persuasion and the background can be any large modern city.  But that is where most games stay, Kult goes beyond that and characters (and players) discover that reality is an illusion and the real reality is a battleground of supernatural forces vying for control.
If WitchCraft posits that “All Things are True”, Kult’s point of view is “Nothing is true”.  In many ways, it presaged the ideas from the movies “That Dark City” and “The Matrix”.  There are supernatural creatures that control various areas of human action and interaction behind the scene and some humans know about these creatures, Archons and Death Angels, and follow them in cults. The characters do what they can to discover these forces or keep them at bay.
The game had a great concept in Mental Balance that was the first real challenger I felt to Call of Cthulhu's Sanity score in terms of gauging the mental health of the characters involved. More out of balance you are the stranger you become even to the point of not being altogether human yourself anymore.
With Kult, the horror is also of an existentialist variety, but in that way, only the Scandinavian seem to do well. If Call of Cthulhu is Lovecraft and Chill a Saturday Night Monster Movie then Kult is Søren Kierkegaard.

CJ Carella's WitchCraft (1999)

WitchCraft is, hands down, my favorite game.  Period.  Picking up a copy of this book back in 1999 was just like picking up a copy of the Monster Manual in 1979.  Everything I ever wanted in a game was right there. Everything.
WitchCraft had such a profound effect on my gaming that I can draw a rather clean line between what came before and what came after it.
The central idea behind WitchCraft is the same as most other Modern Supernatural Horror games.  The world is like ours, but there are dark secrets, magic is real, monsters are real. You know the drill.  But WitchCraft is different.  There is a Reckoning coming, everyone feels it, but no one knows what it is.  Characters then take on the roles of various magic using humans, supernaturals or even mundane humans and they fight the threats.  Another conceit of the game (and one I use a lot) is that supernatural occurrences are greater now than ever before.  Something's coming.
You can play the same sort of games you played in Call of Cthulhu or Chill as well as Vampire.  WitchCraft assumed that all supernatural views of the world were equally likely. So vampires could rub elbows, metaphysically speaking, with elder horrors from beyond. Your characters can be there to stop them, study them or join them as the case may be.

Little Fears (2001)

When was the last time you were really, really afraid? Most people would say childhood.  Little Fears is exactly about that.  Little Fears is a game of childhood fears.  The monsters are real, they hide in your closet and under your bed. The scary old lady down the street really is a hag. But don’t worry. You are protected by Belief and items that seem mundane or meaningless to grownups can help you.   Little Fears is based on a simple system, as befitting its nature of school children fighting monsters adults can’t see. 
Little Fears also has the notoriety of being one of three RPGs one of my FLGS will not sell in the open.  You can order it, but they don’t stock it.  I don’t agree, but I respect their choice.
While it is a game about children, it is not a game for children.  The subject matter of abuse and death can be a bit much for some adults, let alone kids.  It is also one of the most effective horror RPGs I own.

Sorcerer (2002)
If Vampire is all about what will you do to remain human, Ron Edward’s Sorcerer is all about what price will you do for power?  Created at the height of the creative output of The Forge, indeed the first RPG from and starting the independent RPG movement from The Forge. 
Like Vampire your character struggles with their Humanity. But where Vampire can be described as the Beast Within, Sorcerer is the Beast Without or in this case a personal Demon.  You make a pact with a Demon for power and the more power you need, use or take causes you to lose your humanity and become more and more enthralled to the demon.  The game can do a lot of different types of play, but it is all centered around this central idea.

And one more.

Special Mention: WITCH Fated Souls (2016)
I know I am only doing Seven games, but WITCH Fated Souls by Elizabeth Chaipraditkul combines a lot of what made all these other games so much fun.  You have the struggle with power vs. humanity vs. damnation you see in Vampire and Sorcerer. The hidden world of Little Fears, Chill, and Kult and the power struggle between faction you can see in WitchCraft and again in Vampire.   All against a background that is as unique as Call of Cthulhu and Kult.
I picked up this game last year and have not done enough with it yet.

All these games are great and many have won numerous awards over the years.  They have been enough that they cover most aspects of horror.

Review: SURVIVE THIS!! What Shadows Hide, Cthulhu Sourcebook

 Continuing my exploration of Bloat Games' modern horror/monster hunting RPG, SURVIVE THIS!! What Shadows Hide. Today I cover Part 2 of the two books, the Cthulhu Sourcebook.

SURVIVE THIS!! What Shadows Hide: Cthulhu Sourcebook

220 pages. Black & White cover and interior art.
$9.99 PDF

A while back I once said, rather snarkily, that a game can get instant sales by slapping some Cthulhu on it. One the surface this could look like that, but it doesn't do that at all. 

Also, I compared What Shadows Hide to the classic RPG Chill. So the logical comparison here is this is Bloat Games' version of Call of Cthulhu. But it is not quite that either.

What is this game supplement? Easy. Remember the first season of True Detective? It was a great detective show with a cult and some crazy guy talking about Carcosa. Turns out it was all just normal, though very evil, human agents. 

Well, what if Carcosa had been real in True Detective? What if those human agents/cultists interacted with real Elder Gods from beyond reality?

That is what this game is.

This book gives us some new classes for What Shadows Hide. Archeologist, Priest of the Darkness, Priest of the Light, Priest of the Mother, Priest of the Old Ones, Priest of the Protean Path, Priest of the Void, Psion, Warlock, and my favorite, Witch. Some of these we have seen before, but that is fine, not everyone will start with the same book or buy everything in their line (you should, but I see why you might not).

There are new spells, new skills, curses, and psychic powers.

Why put these into this book? It keeps these more powerful classes out of the hands of the Players and squarely in the Game Master's hands. 

We also get a bit about Cosmos Cats (fun!).

The bulk of this book is dedicated to the monsters the characters will encounter and the cults they will likely have to deal with. There is even a good section on creating your own cults.

This book has more utility than just "Book 2" of What Shadows Hide. This book can be easily used with other Bloat Games' RPGs like We Die Young or Vigilante City. There is also enough here for anyone who wants to add some cults to their Fantasy OSR games.

There is even an index.

Both books make for a great game, and a worthy addition to the Bloat Game catalog and the Survive This!! line.

Willow and Tara: Call of Cthulhu

I was talking with my good friend Dr. Lloyd from my days on the Kittenboard.  He was interested in my old RPG sessions of The Dragon and the Phoenix.  I updated him and he was thrilled.  He shared with me this idea he has had to run his own "Call of Cthulhu" game with Willow and Tara.
We talked back and forth for a while and this is what he came up with.

He came up with this "Uber" campaign. What is Uber you ask? Uber has it's roots in Xena fandom.
You can read more about it here: http://en.wikipedia.org/wiki/Uberfic

Well where Xena and Gabriel go, Willow and Tara often follow.  This is some I have used in my games many times. It was a central feature in The Dark Druid, Heaven Bleeds, and This Blessed Plot.

And of course I am not the only the only one who does this.  There is an entire subsection of fandom that is dedicated to this.  You can see some of them on the "Uber Willow & Tara" site "Through the Looking Class".

Below is an "uber" version of Willow & Tara for the Call of Cthulhu RPG.  This one is set in the 1920s.  These would be the prior incarnations of the girls prior to their appearance in the 1980s (birth) to the present day.

The following was all created by Dr. Lloyd & Rebecca Ashling, enjoy!

When Buffy met Lovecraft

 This is a character build out for a BTVS campaign centering on Willow and Tara that is set in the 1920's world of HP Lovecraft.
There are two build outs for these characters.  One is the "Canon" one, where Buffy is the slayer abet 75 years earlier and everything is the same otherwise.  The other is the "Uber" campaign where Buffy is merely far too inquisitive young woman investigating the super natural.

Willow Rosenberg

Investigator Name: Willow Rosenberg Occupation: Student/Witch Colleges, Degrees: Sunnydale Birthplace: Sunnydale, CA Mental Disorders: Insecurity, Monomania, also Homosexuality was treated as one Sex: F Age: 20

STR: 8 DEX: 11 INT: 18 Idea: 90 CON: 11 APP: 14 POW: 22 Luck: 110 SIZ: 8 SAN: 110 EDU: 20 Know: 100 99-Cthulhu Mythos: 74 Damage Bonus: -1D4

---

Accounting 10%	Anthropology 11%	Archaeology 11%
Astronomy 46%	Bargain 5%	Biology 41%
Chemistry 46%	Climb 40%	Conceal 25%
Credit Rating 30%	Cthulhu Mythos 25%	Dodge 22%
Drive Auto 20%	Electrical Repair 30%	Fast Talk 25%
First Aid 40%	Geology 21%	Handgun 20%
Hide 10%	History 50%	Jump 25%
Law 20%	Library Use 60%	Listen 25%
Locksmith 1%	Machine Gun 15%	Martial Arts 1%
Mechanical Repair 20%	Medicine 35%	Natural History 30%
Navigate 10%	Occult 40%	Operate Hvy. Machine 1%
Other Language: Hebrew 36%	Other Language: Latin 36%	Persuade 25%
Pharmacy 26%	Photography 10%	Physics 56%
Psychoanalysis 16%	Psychology 25%	Ride 5%
Rifle 25%	Shotgun 30%	Sneak 30%
Spot Hidden 25%	Submachine Gun 15%	Swim 25%
Throw 25%	Track 10%	Fist/Punch 50%
Head Butt 10%	Kick 25%	Grapple 25%

Willow Rosenberg is a Jewish, Lesbian, Wiccan, and well educated young woman, which in 1920s America *any*of those qualifiers will drawn unwanted attention.  Her father ,Ira, is an investor in the shipping business, and her mother Shelia has a Masters degree in Sociology and is very active in local philanthropic and charitable women’s groups as well as supporting her husband in any business functions. Her father travels a good deal, and her mother is frequently involved in social work. As such this means Willow is almost always left to her own devices.

Her closest friend and companion growing up was the son of the housekeeper, Xander Harris.  They went to school together and while Shelia isn't too happy about their friendship, it makes her feel progressive that her Daughters best friend is a working class child.   Xander's father died of Influenza years before.  In many ways Xander is her "beard" to deflect unwanted questions about marriage.

Willow met Buffy in school in a similar way to "Welcome to the Hellmouth" and worked under the mentor ship of local antiquarian and librarian  Rupert Giles.   She met Tara and fell in love with her as a Freshman in college.  While their closest friends know about their relationship, almost no one outside that circle do and would be hostile if they did.

Having said this, two single women living together for the entirety of their lives itself would not raise any eyebrows even if it led to them both being termed spinsters.
In the uber campaign she and Tara have limited access to magic, and almost all of it is complex ritual magic.  However, because of the emotional, romantic, and spiritual connection between the girls, they are able to work as a Coven of 2.

 This means for the purposes of spells they can combine their POW and Magic points, and loose 50% less sanity from ritual magic when together.

In the "Canon" campaign they have a wider list of spells, and when holding hands use 50% less MP for a spell.

Tara Maclay

Investigator Name: Tara Maclay Occupation: Student/Shop girl Colleges, Degrees: Student in California college Birthplace: Birmingham, Ala Mental Disorders: Shy, beleaves she may be evil Sex: F Age: 21

STR: 8 DEX: 12 INT: 15 Idea: 75 CON: 13 APP: 14 POW: 18 Luck: 90 SIZ: 9 SAN: 90 EDU: 19 Know: 95 99-Cthulhu Mythos: 99 Damage Bonus: none

---

Accounting 10%	Anthropology 21%	Archaeology 1%
Astronomy 26%	Bargain 25%	Biology 1%
Chemistry 41%	Climb 40%	Conceal 40%
Credit Rating 15%	Cthulhu Mythos 0%	Dodge 24%
Drive Auto 20%	Electrical Repair 10%	Fast Talk 5%
First Aid 50%	Geology 1%	Handgun 20%
Hide 50%	History 35%	Jump 25%
Law 5%	Library Use 55%	Listen 50%
Locksmith 1%	Machine Gun 15%	Martial Arts 1%
Mechanical Repair 20%	Medicine 5%	Natural History 20%
Navigate 10%	Occult 50%	Operate Hvy. Machine 1%
Persuade 15%	Pharmacy 21%	Photography 10%
Physics 1%	Pilot: Read Latin 55%	Psychoanalysis 1%
Psychology 40%	Ride 5%	Rifle 25%
Shotgun 30%	Sneak 50%	Spot Hidden 60%
Submachine Gun 15%	Swim 25%	Throw 25%
Track 10%	Fist/Punch 50%	Head Butt 10%
Kick 25%	Grapple 25%

Tara Maclay is an independent young woman who is a student as well.  She lives far from her estranged family in Alabama, and lives on meager resources.  She works as a shop girl in a local book store and has a small inheritance from her dead mother that was ostensibly for her Hope chest.  Her stutter is more pronounced in this world, and her knowledge of occult even great that Willow's because of her family traditions.   She formerly was sure she was damned for her Witch tendencies, but has learned from Willow and Buffy that this is not the case.

To help set the structure of the campaign, here is a description of Buffy.


Buffy Summers

Investigator Name: Buffy Summers Occupation: Slayer Colleges, Degrees: Sunnydale HS Birthplace: Los Angeles, CA Mental Disorders: None, but suspected Sex: F&nbspAge: 20

STR: 21 DEX: 21 INT: 13 Idea: 65 CON: 20 APP: 15 POW: 16 Luck: 80 SIZ: 18 SAN: 80 EDU: 12 Know: 60 99-Cthulhu Mythos: 79 Damage Bonus: +1D6

---

Accounting 10%	Anthropology 1%	Archaeology 16%
Astronomy 1%	Bargain 25%	Biology 11%
Chemistry 1%	Climb 65%	Conceal 55%
Credit Rating 35%	Cthulhu Mythos 20%	Dodge 42%
Drive Auto 20%	Electrical Repair 10%	Fast Talk 50%
First Aid 40%	Geology 1%	Handgun 20%
Hide 45%	History 20%	Jump 55%
Law 15%	Library Use 35%	Listen 55%
Locksmith 1%	Machine Gun 15%	Martial Arts 66%
Mechanical Repair 20%	Medicine 10%	Natural History 10%
Navigate 10%	Occult 35%	Operate Hvy. Machine 1%
Persuade 35%	Pharmacy 1%	Photography 10%
Physics 1%	Pilot: Detect Vampires 70%	Psychoanalysis 1%
Psychology 35%	Ride 15%	Rifle 25%
Shotgun 30%	Sneak 50%	Spot Hidden 65%
Submachine Gun 15%	Swim 50%	Throw 65%
Track 60%	Detect Undead 65%	Fist/Punch 50%
Head Butt 10%	Kick 25%	Grapple 25%
Stake 65%	Sword 55%	Axe 55%

Buffy is the daughter of the  well off and often wooed widow Joyce Summers.  Her father was a well off Military officer  but died in the great war.  Her mother took the loss hard, and turned to spiritualism and mediums to deal with the loss.

In the "Uber" campaign Buffy tried to use the numerous magical paraphernalia her mother had to divine her future, and accidentally got a tiny glimpse of the horrors about us.
Her strength,  speed, and fighting skills are all within normal human parameters but are very high.  She was close to her father and he taught her some martial arts he learned in Philippines during the rebellion, and now she is determined to make the best of it.

In the "Canon" campaign the above is still true, but the trigger to her adventuring  was her watcher contacting her as in the show.

The Buffy in both of these worlds is far more fatalistic than the one in the show, she is aware that the cosmic deck is stacked against her and is not optimistic of her having a normal life.   There would be a feeling from her and the other Irregulars that the horrors of the Great War were part of a larger scheme to end the world by unknown forces.